创作的压抑，让塔可夫斯基最终选择远赴意大利，接受西方制片人的邀约拍摄《乡愁》。他将对民族性的无穷追问糅进了《乡愁》的镜头里。剧情从来都不是这部影片的核心，漂泊、回忆、孤独，还有对故土深入骨髓的怀念，共同交织成如雾霭般难以散去的哀愁。在日记中，他记录着在意大利的创作心境，也写下了对这部作品的期许，而影片中那个戈尔恰科夫手持蜡烛缓缓走过水池的漫长镜头，不仅成为电影艺术史上不可复制的经典，更成为塔可夫斯基的“自我画像”，照见了一个异乡人的精神漂泊。
“特别想自己做一款类似的游戏，以中国某地为背景。”
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At some point I realized the scope was too large. I had spent the most time with msdfgen and hadn’t yet learned enough about the other libraries to write a proper guide. They all worked differently. I kept getting stuck. So I reduced the scope. In redesign 2 I decided to only use msdfgen, but show the various tradeoffs involved (atlas size, antialias width, shader derivatives, smoothing function).
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